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Yes, it could have been sharper in places, Ewan McGregor's character was both fixated and showed limited empathy (but he was described as having Asperger's syndrome), the romantic relationships were all very stilted, the Kristin Scott Thomas character should have been much nastier, the Sheikh Muhammed character was a bit of a caricature, the assassination plot etc was a distraction, and the 'green screen' effects at the end somewhat unrealistic. Watching it I thought 'this isn't really my kind of film' - so why did I enjoy it? The dialogue is sharp and witty, the acting by Ewan McGregor, Emily Blunt and Kristin Scott Thomas is good, the story bizarre enough to be amusing. It's a cross between a political satire / romance / mild comedy. Slightly more seriously, I quite enjoyed this film and it certainly made me chuckle in places. I was intrigued by the title - and I was hooked (groan.). There are a couple of action scenes in the film and the second one (a flash flood incident) seemed incredible at some points. The relationships generally lacked any chemistry, and could largely be predicted from the outset. Overall though, the film was let down on the 'romantic' and relationships aspect, with a lack of clarity leaving one wondering about the morality or indeed reason for Fred Jones deserting Mary. This aspect also develops a slightly subtle humour, a few thoughts on the nature of faith and fishing and some exceptional shots of fish that I really enjoyed (although not a fisherman). It is set against the background of present day UK government and Middle East instability, and explores a plot along lines reminiscent of Forrest Gump, with a rather 'gormless' hero, and a similar approach to combining extraordinary events with such realistic filming that strange events become credible, ranging from the Civil Service, investment firms, cultured Arabs owning Scottish castles and lochs and massive investment in salmon fishing facilities in the Yemen. I enjoyed this film and would certainly recommend a viewing, although it wouldn't feature on my list of all time greats. Very gentle but highly recommended viewing for pretty much all ages.
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The main reason for this was it took the focus away from the partnership of Ewan/Emily, which the whole film perfectly sat round.īut this is a minor complaint about a film which, as the credits rolled, left me with a big smile on my face as well as a sadness that the story had come to an end. The only part which did rankle slightly was the inclusion of a plot device in Blunt’s character arc in the last third which, after the perfectly performed build up, didn’t sit well. Cinematography and direction are also flawless. Much has been made of Kristen Scott Thomas and her against type role, which again was enjoyable, although she was mainly regulated to shouting down a phone for much of it.Ī big mention must go out to Dario Marianelli, whose soundtrack, much like for The Brave One, fits like a glove. Their chemistry is one that hopefully will be seen again soon on screen. Blunt is a fine actress and her positivity at all times against Ewan’s character’s negativity and how she slowly wins him round is worth the price of admission on its own. How you slowly see him go from being an utter cynic with limited social skills to someone who openly cheers as his project comes to fruition is a joy to witness.īut special mention must go out to Emily Blunt, whose chemistry with Ewan is as good as Nicole Kidman’s was in Moulin Rouge. Ewan’s performance, which openly references at one point his character’s Asperger’s/autism, is perfect and he manages to make you at all times feel the emotions his character does. Within 5 minutes of starting, this film had me completely engrossed in it. The inclusion of Emily Blunt as well as Amr Waked (who had a brief but very effective and powerful role in Syriana) added to this. Being a massive Ewan McGregor fan, this was one of his films which I hadn’t seen but wanted to.